It’s fun for me, and it’s fun for audiences to see an ensemble go from piece to piece. Plus, it’s nice to be an ongoing element in somebody’s body of work. Generally, I’m quite seduced by strong directors, and directors who make personal films. After a certain point, are you expected to accept the roles they offer you? You’re very loyal to a small clutch of directors. And I obviously like Paul, because I keep doing things for him when he asks me. But I like Nic a lot, I had a good time with him when we worked together on Wild at Heart. Paul just called me up and showed me the script, and I wasn’t sure I wanted to do it right away. Nic was already attached because this was his and Paul’s revenge project after they had a bad time on Dying of the Light (4). Whether you like it or not, it certainly makes an impression.Īt what stage of the film were you brought in? Listen, it’s clear that I have a very showy role there. Well, um, I’m never interested in stealing a film from anybody. It seems like a difficult task to steal a film from Nicolas Cage, but I think you managed it.
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